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Northanger Abbey (Norton Critical Editions)By Jane Austen
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Northanger Abbey, written in Jane Austen’s youth and posthumously published, is arguably her most mysterious, imaginative, and optimistic novel.
This Norton Critical Edition is the most extensively annotated student edition available.
"Backgrounds" features material carefully chosen to enhance readers’ appreciation of the novel, including biographical commentary, early works and correspondence related to Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen’s connection to her Romantic contemporaries.
"Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litvak.
A Chronology and Selected Bibliography are also included.
- Sales Rank: #549731 in Books
- Published on: 2004-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .80" w x 5.10" l, .80 pounds
- Binding: Paperback
- 384 pages
Amazon.com Review
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber
From Library Journal
A resurgence of interest in Austen, combined with a vivacious reading by British actress Amanda Root, makes this a timely audio selection. Usually considered Austen's earliest completed novel, this posthumously published work is a delightful parody of gothic novels. Heroine Catherine Moreland is introduced to the social whirl of Bath by a new friend, Isabella Thorpe. Alas, Catherine is disappointed by this disloyal lass and departs to spend time at the ancestral home of her true friend, Eleanor Tilney, and Eleanor's charming brother Henry. Meanwhile, Isabella's brother John, whose romantic overtures have been rejected by Catherine, is almost successful in his schemes to cause the Tilneys to reject our heroine. An excellent acquisition for public libraries.
Linda Bredengerd, Univ. of Pittsburgh, Bradford, Pa.
Copyright 1997 Cahners Business Information, Inc.
Review
“It is tempting to argue [that] Austen opted to initiate her career with Northanger Abbey because in addition to being a good novel it alone was also a manifesto of her artistic program . . . Northanger Abbey is a delightful novel, but also a serious one, and the first completely to master the stylistic method that would become the hallmark of its author’s art: irony.” –from the Introduction by Claudia L. Johnson
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