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Programming Languages: Concepts and Constructs, Second Edition retains the "character" of the original, emphasizing concepts and how they work together. This classic book has been thoroughly revised to provide readable coverage of the major programming paradigms. Dr. Sethi's treatment of the core concepts of imperative programming in languages like Pascal and C flows smoothly into object-oriented programming in C++ and Smalltalk. The charm of functional languages is illustrated by programs in standard ML and the Scheme dialect of Lisp. Logic programming is introduced using Prolog. Novices, who have been introduced to programming in some language, will learn from this book how related concepts work together while designers and implementers willp be exposed to the major programming paradigms. Example programs from the book are available as source code. These are available by anonymous ftp at ftp://ftp.aw.com/cseng/authors/sethi/pl2e. 0201590654B04062001

• Sales Rank: #461561 in Books
• Published on: 1996-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.30" w x 7.30" l, 2.52 pounds
• Binding: Paperback
• 624 pages

From the Back Cover

Programming Languages: Concepts and Constructs, Second Edition retains the "character" of the original, emphasizing concepts and how they work together. This classic book has been thoroughly revised to provide readable coverage of the major programming paradigms. Dr. Sethi's treatment of the core concepts of imperative programming in languages like Pascal and C flows smoothly into object-oriented programming in C++ and Smalltalk. The charm of functional languages is illustrated by programs in standard ML and the Scheme dialect of Lisp. Logic programming is introduced using Prolog.

Novices, who have been introduced to programming in some language, will learn from this book how related concepts work together while designers and implementers willp be exposed to the major programming paradigms.

Example programs from the book are available as source code. These are available by anonymous ftp at ftp://ftp.aw.com/cseng/authors/sethi/pl2e.

0201590654B04062001

About the Author

About Ravi Sethi

Ravi Sethi, director of Computing Science Research, has been at AT&T Bell Laboratories in Murray Hill, New Jersey since 1976. He has held teaching positions at Pennsylvania State university and the University of Arizona, and has taught at Princeton University and Rutgers. Dr. Sethi is co-author of the "dragon book", Compilers: Principles, Techniques and Tools and has written numerous articles. His books have been translated in Japanese, German, French, Italian, Spanish, and Korean.

0201590654AB04062001

Excerpt. © Reprinted by permission. All rights reserved.

This book is designed for junior/senior level courses on programming languages. A minimal pre-requisite is an introductory programming course. With supplementary readings, the book can also be used for graduate courses.

What's New in this Edition?

Changes on the language scene and feedback from the use of the book have prompted a thorough revision. Instructors liked the emphasis on concepts, but asked that the concepts be illustrated using fewer languages. Meanwhile, Modula-2 has faded, and C++ has taken off as a language for production programming. Candidates for functional languages now include Standard ML, Haskell, and Miranda.

The new outline has 15 chapters, three more than the first edition. The role of the three new chapters is as follows:

• Data types like arrays, records, and pointers have a new chapter.
• Functional programming is introduced using ML in a new chapter.
• Language summaries appear in a final chapter.

Language description and syntax are now treated early, in Chapter 2.

Organization of this Book

The emphasis is on concepts and how they work together, rather than on language features. Related concepts are therefore covered together, to allow meaningful examples and programming exercises along the way. Just enough of a language is introduced, as needed, for the examples and exercises. Language summaries appear in Chapter 15.

Part I: Introduction

Chapter 1 traces the role and development of programming languages. It introduces the programming paradigms in this book. They include imperative, object-oriented, functional, and logic programming.

Syntax description is treated in Chapter 2, so it can be applied in the rest of the book. The examples in the chapter deal with expressions, since methods for describing the syntax of expressions carry over to the rest of a language.

Part II: Imperative Programming

The imperative family is treated in Chapters 3-5. The term ''imperative'' comes from command or action; the computation model is that of a sequence of actions on an underlying machine.

Chapter 3 deals with control flow. Structured constructs like while statements organize the flow of control so that the unit of programming is a structured statement, instead of an individual assignment. Students in a course that emphasizes imperative programming are usually familiar with Pascal, so this chapter goes beyond assignments and structured statements to consider programming with invariants. The examples deal with basic values, like integers, and arrays.

Chapter 4 deals with data in imperative languages. Data representation facilities such as arrays, records, and pointers, have been stable since Pascal and C appeared. The treatment of these facilities anticipates their use to represent objects in Chapters 6 and 7.

Chapter 5 rounds out the discussion of the core of imperative languages, embodied in a language like Pascal or C. Among the topics are the distinction between the source text of a procedure and its activations, parameter passing, scope rules, and storage allocation.

This book illustrates imperative programming using Pascal, where possible. Pascal suffices as a vehicle for Chapters 3-5. C is an alternative.

Part III: Object-Oriented Programming

As programs get larger, the natural unit of programming is a grouping of data and operations. The progression of concepts for such groupings can be described in terms of modules, user-defined types (for example, stacks), and classes (as in object-oriented programming).

Chapter 6 begins with of programming with procedures, modules, and classes. These constructs serve distinct needs and can be used in combination with each other: procedures are needed to implement operations in a module or class; modules can be used to statically partition the source text of a program with classes. Some versions of Pascal support modules; they can be used for the first half of Chapter 6 as well. C++, an extension of C, is introduced in Chapter 6.

The model of computation in Chapter 7 is that of independent objects. The objects interact by sending messages to each other. The first third of the chapter introduces object-oriented programming in general, using a running example that has similar implementations in C++ and Smalltalk. The rest of the chapter has independent coverage of C++ and Smalltalk, so either one can be used to explore object-oriented programming. Based on feedback from instructors, this edition covers C++ before Smalltalk, inverting the order in the previous edition. Object-oriented programming is illustrated using both C++ and Smalltalk, since the two represent different approaches.

All of the concepts in Chapters 3 - 7 can be illustrated using C++. Students can be introduced directly to C++, without going through C.

Part IV: Functional Programming

Functional programming is worth studying as a programming style in its own right; as a setting for studying concepts such as types; and as a technique for language description. The emphasis in Chapter 8 is on concepts, in Chapters 9 and 10 on programming style, and in Chapter 13 on language description. The computational model is based on an expression interpreter; an expression consists of a function applied to subexpressions.

The emphasis in Chapter 8 is on concepts. The simplicity of functional languages makes them convenient for introducing concepts such as values, types, names, and functions. The simplicity results from the emphasis on expressions and values, independent of the underlying machine. The chapter treads ground common to functional languages, using ML as the working language.

The fundamental difference between ML and Lisp is that ML is typed; the influence of types permeates the language. Chapter 9 uses ML to illustrate the use of functions and datatypes. As first-class citizens, functions have the same status as any other values in functional programming. This first-class status permits the creation of powerful operations on collections of data.

Functional programming originated with Lisp. Programs and data are both represented by lists in Lisp; the name is a contraction of ''List Processor.'' The uniform use of lists makes Lisp eminently extensible. Chapter 10 explores the use of lists, using the Scheme dialect of Lisp.

See also Chapter 13, which contains an interpreter for a small subset of Scheme, and Chapter 14, which covers the lambda calculus.

Part V: Other Paradigms

Logic programming goes hand in hand with Prolog, in Chapter 11. Logic programming deals with relations rather than functions. Where it fits, programs are concise, consisting of facts and rules. The languages uses the facts and rules to deduce responses to queries.

Concurrent programming is illustrated using Ada, in Chapter 12. An alternative approach would have been to cover concurrent programming after object-oriented programming. Processes can be formed by giving each object its own thread of computation. The present organization puts functional programming before concurrent programming.

Part VI: Language Description

The methods for language description in Chapter 13 are aimed at specialists. The methods range from attributes used for language translation, to logical rules for used type inference, to interpreters used for clarifying subtle language questions.

A language can be described by writing a definitional interpreter for it, so called because its purpose is to define the interpreted language; efficiency is not a concern. McCarthy's & original definitional interpreter for Lisp in Lisp remains important for language description, so language description is illustrated using the Scheme dialect of Lisp. Chapter 13 develops an interpreter for a small subset of Scheme.

The lambda calculus is the intellectual ancestor of functional languages. The small syntax of the lambda calculus has also led to its use as a vehicle for studying languages. Variants of the lambda calculus are introduced in Chapter 14. The chapter progresses from the pure untyped lambda calculus to typed lambda calculi.

Chapter 15 contains brief summaries of the languages in this book.

Acknowledgments From the First Edition

A graduate seminar at Rutgers University gave me both the opportunity and the incentive to collect material on programming languages. I'd like to thank Alex Borgida, Martin Carroll, Fritz Henglein, Naftaly Minsky, Bob Paige, and Barbara Ryder for keeping the seminar lively.

An undergraduate course at Harvard University used an early draft of this book. Written comments by the students in the course were very helpful.

The organization of this book has benefited greatly from the comments and especially the criticism of the then anonymous reviewers contacted by Addison-Wesley. They are Tom Cheatham, Harvard University, John Crenshaw, Western Kentucky University, Paul Hilfinger, University of California, Berkeley, Barry Kurtz, New Mexico State University, Robert Noonan, College of William and Mary, Ron Olsson, University of California, Davis, William Pervin, University of Texas at Dallas, Paul Reynolds, University of Virginia, David Schmidt, Kansas State University, and Laurie Werth, University of Texas at Austin.

For all their technical help, I am grateful to Al Aho, Jon Bentley, Gerard Berry, Eric Cooper, Bruce Duba, Tom Duncan, Rich Drechsler, Peggy Ellis, Charlie Fischer, Dan Friedman, Georges Gonthier, Bob Harper, Mike Harrison, Bruce Hillyer, Brian Kernighan, Kim King, Chandra Kintala, Dave MacQueen, Dianne Maki, Doug McIlroy, John Mitchell, Mike O'Donnell, Dennis Ritchie, Bjarne Stroustrup, Chris Van Wyk, and Carl Woolf.

This book on programming languages was produced with the help of a number of little languages. The diagrams were drawn using Brian Kernighan's Pic language; the grey-tones in the diagrams rely on the work of Rich Drechsler. The tables were laid out using Mike Lesk's Tbl program. Eqn, Lorinda Cherry and Brian Kernighan's language for typesetting mathematics, handled the pseudo-code as well. The Troff program was originally written by the late Joe Ossanna and is kept vital by Brian Kernighan. Page layout would have suffered without a new Troff macro package and post-processor by Brian Kernighan and Chris Van Wyk. The indexing programs were supplied by Jon Bentley and Brian Kernighan. Cross references were managed using scripts written with the help of Al Aho for managing the text of the ''dragon'' book.

Finally, I'd like to thank AT&T Bell Laboratories for its support. I have learnt more from my colleagues here than they might suspect. Whenever a question occurred, someone in the building always seemed to have the answer.

Acknowledgments

I really appreciate the comments I have received on the first edition. The experience of instructors and the frank opinions of reviewers have guided the revision.

Debbie Lafferty of Addison-Wesley has been the voice on the phone through the months, coordinating reviews and credits, and generally keeping the project on track. I now know that the reviewers include Bill Appelbe, Michael Barnett, Manuel E. Bermudez, Ray Ford, Aditya P. Mathur, L. A. Oldroyd, and Hamilton Richards -- thanks.

For technical help and discussions, I am grateful to Jon Bentley, Lorinda Cherry, Brian Kernighan, Dave MacQueen, Jon Riecke, and Rich Wolf. My colleagues at AT&T Bell Laboratories have been greatly supportive.

A lot has happened while I have been immersed in the Book, including a death, a birth, a move, a fire. Dianne Maki has helped me navigate through it all.

RS

0201590654P04062001

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• Sales Rank: #906191 in Books
• Published on: 2015-02-25
• Original language: English
• Number of items: 1
• Dimensions: 8.48" h x .37" w x 6.16" l, .48 pounds
• Binding: Paperback
• 100 pages

About the Author
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• Sales Rank: #440003 in Books
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• Original language: English
• Number of items: 1
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A charming novel about falling in love (or like) in the digital age—the never-before-seen full story.

Madeline and Elliot meet at a New York City restaurant opening. Flirtation—online—ensues. A romance, potentially eternal, possibly doomed, begins.

And, like most things in life today, their early exchanges are available to be scrutinized and interpreted by well-intentioned friends who are a mere click away.

Madeline and Elliot's relationship unfolds through a series of thrilling, confounding, and funny exchanges with each other, and, of course, with their best friends and dubious confidants (Emily and David). The result is a brand-new kind of modern romantic comedy, in format, in content, and even in creation—the authors exchanged e-mails in real time, blind to each other's side conversations. You will nod in appreciation and roll your eyes in recognition; you'll learn a thing or two about how the other half approaches a new relationship . . . and you will cheer for an unexpected ending that just might restore your faith in falling in love, twenty-first-century style.

• Sales Rank: #219490 in Books
• Brand: Shah, Neel/ Chatham, Skye
• Published on: 2015-04-07
• Released on: 2015-04-07
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .89" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 256 pages

Review
“It’s rare to pick up a book that perfectly captures love in the digital age, but that’s exactly what Neel Shah and Skye Chatham’s all-too-realistic novel succeeds in doing. . . . Anyone who has dated with technology will recognize themselves, or someone they’ve dated, in these pages.” (TIME)

“Shah and Chatham pen a witty, inventive novel about a new couple’s romance--told entirely through their emails and texts.” (Us Weekly)

“Charming. . . . Shed(s) light on our digital dating habits and how they affect our happily-ever-afters.” (Cosmopolitan)

“A charming, clever look at modern romance. . . . Resounds with anyone who has dated in the digital age.” (The Minneapolis Star Tribune)

“A romance told via a couple’s emails and texts to each other (and to their best friends), this insightful novel appeals to fans of (500) Days of Summer and How I Met Your Mother.” --A (In Touch)

“You will smile and laugh at the romantic follies of Read Bottom Up - until you realize you are not reading this book, it is reading you - at which point you will speed dial your therapist.” (Michael H. Weber, co-screenwriter of (500) Days of Summer, The Spectacular Now, and The Fault In Our Stars)

“Read Bottom Up is witty, inventive, and (sometimes wickedly) fun -- an addictive novel readers will devour in one go.” (Julie Schumacher, author of Dear Committee Members)

“A fun and surprisingly poignant way to tell a love story in this era of instant digital communication. . . . All too familiar for anyone who has dated in the last 10 years.” (New York Daily News)

“Shah and Chatham’s story of an attraction between New Yorkers Madeline and Elliot—and the smartphone-facilitated ways it plays out—is smart, happy, and dead-on.” (Glamour.com)

“A new novel that consists entirely of e-mails and texts through which the couple gets to know each other. . . . Shah a former Post reporter and Chatham deliver a fun, breezy take on dating in Internet age.” (New York Post)

“One of the coolest rom-com books we’ve ever read. . . . Straight up, Shah and Chatham have brilliantly optimized the era of electronic intimacy to tell a story that’s sweet, hopeful, heartbreaking, deeply relatable, and ultimately uplifting. Do yourself a ginormous favor and pick up a copy.” (Hello Giggles)

“It would be hard to imagine a more modern, accurate and funny story detailing the vicissitudes of modern love. Actually, it wouldn’t just be hard - it would be impossible. Never has the dysfunction of my generation’s quest for love been so accurately reproduced as fiction.” (Allison Williams, actress, GIRLS)

“Read Bottom Up is an honest look at dating in the iPhone age, and a charming story of the various ways that love finds us. You’ll laugh, and you may even recognize your inbox.” (Cecelia Ahern, author of PS I Love You)

“An enchanting, witty, and surprisingly realistic romp through romance in the digital age, with the grit of Girls, but the idealism of Sex and the City.” (Susan Shapiro, author of Five Men Who Broke My Heart and Speed Shrinking)

“Charming.” (popsugar.com, 26 New Spring Romance Books You Need to Read This Month)

“Move over The Game and He’s Just Not That Into You. This new dating book is the last word on love in the digital age.” (InStyle UK)

From the Back Cover

Madeline and Elliot meet at a New York City restaurant opening. Flirtation—online—ensues. A romance, potentially eternal, possibly doomed, begins.

And, like most things in life today, their early exchanges are seen, scrutinized, and interpreted by well-intentioned friends who are a mere click away.

As Madeline and Elliot’s relationship unfolds through a series of thrilling, confounding, and funny exchanges with each other, and, of course, with their best friends and dubious confidants (Emily and David), you will nod in appreciation and roll your eyes in recognition; you’ll learn a thing or two about what the other half thinks (and does) when it comes to a new romantic possibility . . . and you will cheer for an unexpected ending that just might restore your faith in falling in love, twenty-first-century style.

“A witty, inventive novel about a new couple’s romance— told entirely through their emails and texts.”—Us Weekly

“Charming. . . . Sheds light on our digital dating habits and how they affect our happily-ever-afters.” —Cosmopolitan

“A fun and surprisingly poignant way to tell a love story in this era of instant digital communication. . . . All too familiar for anyone who has dated in the last 10 years.” —Daily News (NY)

“It’s rare to pick up a book that perfectly captures love in the digital age, but that’s exactly what Neel Shah and Skye Chatham’s all-too-realistic novel succeeds in doing.” —Time

About the Author

Neel Shah is a screenwriter in Los Angeles. He used to be a reporter at the New York Post and his work has appeared in Glamour, GQ, and New York magazine.

Skye Chatham is a writer living in New York. Her work has appeared in various publications, including GQ and Maxim.

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Download Ebook CMOS Digital Integrated Circuits Analysis & DesignBy Sung-Mo (Steve) Kang, Yusuf Leblebici

Download Ebook CMOS Digital Integrated Circuits Analysis & DesignBy Sung-Mo (Steve) Kang, Yusuf Leblebici

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CMOS Digital Integrated Circuits Analysis & DesignBy Sung-Mo (Steve) Kang, Yusuf Leblebici

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CMOS Digital Integrated Circuits: Analysis and Design is the most complete book on the market for CMOS circuits. Appropriate for electrical engineering and computer science, this book starts with CMOS processing, and then covers MOS transistor models, basic CMOS gates, interconnect effects, dynamic circuits, memory circuits, BiCMOS circuits, I/O circuits, VLSI design methodologies, low-power design techniques, design for manufacturability and design for testability.

This book provides rigorous treatment of basic design concepts with detailed examples. It typically addresses both the computer-aided analysis issues and the design issues for most of the circuit examples. Numerous SPICE simulation results are also provided for illustration of basic concepts. Through rigorous analysis of CMOS circuits in this text, students will be able to learn the fundamentals of CMOS VLSI design, which is the driving force behind the development of advanced computer hardware.

• Sales Rank: #657216 in Books
• Published on: 2002-10-29
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.22" w x 7.60" l, 2.64 pounds
• Binding: Hardcover
• 1008 pages

About the Author
Yusuf Leblebici is Director and Chair Professor of the Microelectronic Systems Laboratory at the Swiss Federal Institute of Technology in Lausanne (EPFL). He has previously worked as a faculty member at University of Illinois at Urbana-Champaign, at Istanbul Technical University, and at Worcester Polytechnic Institute (WPI), where he established and directed the VLSI Design Laboratory, and also served as a project director at the New England Center for Analog and Mixed-Signal IC Design. He is a co-author of more than 150 scientific articles and 3 textbooks.

Yusuf Leblebici is Director and Chair Professor of the Microelectronic Systems Laboratory at the Swiss Federal Institute of Technology in Lausanne (EPFL). He has previously worked as a faculty member at University of Illinois at Urbana-Champaign, at Istanbul Technical University, and at Worcester Polytechnic Institute (WPI), where he established and directed the VLSI Design Laboratory, and also served as a project director at the New England Center for Analog and Mixed-Signal IC Design. He is a co-author of more than 150 scientific articles and 3 textbooks.

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Free PDF Vivaldi's Music for Flute and RecorderBy Federico Maria Sardelli, Michael Talbot

Free PDF Vivaldi's Music for Flute and RecorderBy Federico Maria Sardelli, Michael Talbot

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Vivaldi's Music for Flute and RecorderBy Federico Maria Sardelli, Michael Talbot

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Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.

• Amazon Sales Rank: #5695125 in Books
• Published on: 2016-02-19
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x 1.00" l, 1.56 pounds
• Binding: Hardcover
• 376 pages

Review 'Federico Maria Sardelli's comprehensive study of this sector of Vivaldi's oeuvre, first published in Italian in 2001, brings its riches to the English-speaking world through a thoughtful translation by Michael Talbot. The repertory itself is a miscellany of sonatas and concertos plus an array of obbligato parts in operas and church music, but Sardelli holds that it plays a central role in the development of wind music in late Baroque Europe. Bringing his own insights as a performer to individual works, he deduces that Vivaldi played many of the instruments for which he scored. He discusses subtleties of nomenclature and scoring, offers extensive detail of the musical sources, surveys issues of performance in several locales, and deduces from the available evidence the types and sizes of instruments intended for each of the works. The whole book is generously provided with illustrations and musical examples. In Sardelli's own phrase, it emphasizes "data, documents, and commentary." The text has been updated to accommodate recent discoveries.' Eleanor Selfridge-Field, Stanford University, USA '...this is a major contribution to Vivaldi studies...Highly recommended.' Choice '...the reader is fortunate in that so fine a book has been translated by so distinguished a scholar, a fact that itself lends it authority... The author knows the sources, he knows the music, and knows what needs to be written... if only such books existed on other distinct repertoires - and not just Vivaldi. There is such a wealth of information and understanding that I can make this a very short review, and just recommend it to all who play the music [...] and those who write about it.' Early Music Review 'Vivaldi scholar Michael Talbot has done a noble service to the English-speaking world in making this 2001 work (published in Italian) accessible... If you want to know about Vivaldi's works for flute, this is the book!' Kansas City Flute Association Newsletter '... a comprehensive study of the composer's repertoire for flute and recorders of varying sizes... there is no doubt that Sardelli's book is a comprehensive starting point for those interested in delving into the Vivaldian repertoire and the historical and performance issues relating to it. Ashgate are to be applauded for publishing such a well-translated study that significantly adds to the research material available to English-speaking scholars and students.' The Consort

About the Author Federico Maria Sardelli - conductor, musicologist and flautist - is a member of the Istituto Italiano Antonio Vivaldi, Venice. Michael Talbot is Emeritus Professor of Music at the University of Liverpool, UK.

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